Brian Eno's Creative Constraints Applied to Street Photography

Picking one focal length and committing to a system isn't a creative limitation, it's the whole game. Eno built entire albums around arbitrary rules because constraints force decisions, and decisions are what separates a portfolio from a hard drive full of maybes. If you're between jobs and your street work feels aimless, this is worth twenty minutes. Not essential reading, but a decent reset for anyone who's been shooting everything and landing nothing.