Shooting Rory McIlroy on 4x5 Film Mid-Chaos

Using a 4x5 in a crowd of screaming kids chasing a PGA star isn't a workflow — it's a discipline. What Polin's shoot actually proves is that slow, deliberate gear forces you to pre-visualise in a way a mirrorless burst mode never will. One frame, one chance, no chimping. If you've been dismissing large format as a studio-only tool, this is the argument against that.