100+ Pinhole Cameras Left in Chornobyl, Never Coming Home

Budzynski solved a problem most photographers never face: how do you shoot somewhere you can't bring your gear home from? His answer, leaving cameras behind permanently, isn't a quirky art project. It's a genuine process decision. The solargraphs work because the exposure duration matches the weight of the place. Months of the Sun's arc over the Chornobyl sarcophagus hits differently than a wide-angle long exposure at dusk. If you've ever felt like your camera was the wrong tool for a subject, this project is worth your ten minutes.