Gear Minimalism in Documentary Work: What Actually Matters

The camera-as-obstacle argument is worth hearing from someone who's actually lived it. Delgado-Ureña's point isn't anti-gear, it's that documentary and photojournalism demand you stop negotiating with your equipment mid-shoot and start trusting your instincts. If you're finding excuses in your kit rather than your eye, that's the real problem this piece is poking at.