Sony FE 35mm f/1.4 GM

26 Apr 2026 · Lens Review

Sigma's updated 35mm f/1.4 Art DN is the lens that finally makes the Sony GM's price tag hard to justify. If you're shooting events or editorial on Sony E-mount, the gap between third-party and first-party glass just got a lot smaller.

6 May 2026 · Lens Comparison

Canon's RF 35mm f/1.4L VCM is new enough that most RF shooters haven't had a chance to put it up against the benchmark in the focal length. The Sony 35 GM has been the gold standard for fast 35mm primes, so this head-to-head matters. If you shoot events, editorial, or documentary work and you're on Canon RF, this tells you whether the new L-series prime justifies the investment or whether Sony's ecosystem has a meaningful optical edge at f/1.4.

6 May 2026 · Lens Comparison

These two lenses are so closely matched on spec sheets that the comparison almost writes itself as a draw. Almost. If you're sitting on a Canon or Sony system and the 35mm slot in your kit is empty, the real question isn't which lens scores better in a lab — it's which one holds up when you're shooting a dim reception hall at f/1.4 or need fast, quiet AF for a documentary sequence. The VCM focus motor in the Canon is the detail worth knowing: it's the same linear voice coil tech Canon put in the RF 85mm f/1.2 L IS, built specifically for video AF smoothness. Sony's GM is no slouch on AF but Canon's implementation here edges it for hybrid shooters pulling focus on moving subjects. Pick your system and trust the glass — both are legitimate flagships, neither is a compromise.

3 June 2026 · Lens Review

Fstoppers runs the Sigma 35mm f/1.4 DG DN Art through a month of shooting on Sony E-mount. At roughly USD $1,000, it sits between the pricier Sony GM and the faster Viltrox 35mm f/1.2 AF — a tight bracket worth knowing before you buy.