Weekly Roundup

Sunday, September 6, 2026

An industry loss, a completed lens trio, and GoPro's exit from cameras

Endings, exits, and fast glass

The week's biggest story wasn't a camera at all. Jean-François Leroy built Visa pour l'Image from nothing into the festival photojournalism measures itself against, and his death leaves a real gap at the top of the field. It landed the same week World Press Photo named its Photo of the Year: Carol Guzy's image of a family torn apart by an ICE arrest, shot inside one of the few US immigration courthouses that allows photographer access. Two different reminders, in the same seven days, of why documentary work still matters and who fights to keep making it.

GoPro's sale is the other story that will keep coming up. Selling to a photonics company chasing data centres and defense, not action cameras, says plainly that the standalone action-cam category couldn't support the business on its own anymore. Pentax quietly confirmed the same kind of contraction from another angle, with no DSLR now in production anywhere in its lineup. And a court had to step in this week to order a festival to reinstate an AP photographer's image after it was pulled under outside political pressure, a reminder that access and control over what gets shown are live fights, not settled ones.

Where the gear news stayed upbeat was in glass. Fujifilm closed out its X-mount super-telephoto trio with the XF400mm f/4.5, giving the system a genuine 1,200mm-equivalent reach with teleconverters. Leica revived a Cold War-era optic in the Summicron-M 66mm f/2, filling a focal length nothing else in 35mm currently covers. Sony's next GM telephoto pair leaked ahead of an expected announcement, both tipped as the lightest in their class. None of it changes what body most people are shooting next month, but it's a reminder that a lot of the industry's actual creative energy is still going into lenses.

On the software side, Blackmagic confirmed the PYXIS 12K's RGBW sensor does support phase-detect autofocus, settling a question that had been open since NAB 2025, even if the beta is Mac-only for now. Adobe Camera Raw picked up a native Glow tool for diffusion, bloom and halation. Worth watching into next week: Sigma's 85mm f/1.2 for Sony FE ships September 30, and Fujifilm's X-T6 is still stuck behind component shortages with no new date given.

This Week's Threads

Photojournalism's week

Visa pour l'Image founder Jean-François Leroy died the same week World Press Photo named Carol Guzy's ICE courthouse image its Photo of the Year.

Industry pressure

GoPro sold outside the camera industry, Pentax confirmed it has no DSLR left in production, and a court ordered a festival to reinstate an AP photographer's image removed under political pressure.

Fast and unusual glass

Fujifilm completed its X-mount super-telephoto trio, Leica revived a Cold War-era 66mm optic, and Sony's next GM telephoto pair leaked ahead of an expected announcement.

Firmware and software

Blackmagic confirmed phase-detect autofocus on the PYXIS 12K in a Mac-only beta, and Adobe Camera Raw 18.6 added a native Glow tool for diffusion, bloom and halation effects.

Hiroshi Sugimoto Guest Edits Aperture on Stopping Time

Project of the Week

The photography that stopped us scrolling

Hiroshi Sugimoto Guest Edits Aperture on Stopping Time

Hiroshi Sugimoto guest edited an issue of Aperture magazine, centering it on the theme of stopping time. The profile traces his path from Tokyo to Los Angeles to New York, where he sold Japanese antiques alongside leading Conceptual artists before building a practice grounded in duration, memory, and photographic time. His studio houses a Van de Graaff generator, a Tesla coil, and Triassic-era fossils — tools as much as curiosities.

See the projectarrow_forwardvia Aperture

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