DJI Osmo Pocket 4P Launches with Dual Cameras and D-Log2

The dual-camera setup is the real story here, not the Cannes backdrop. A wide plus a ~60mm equivalent telephoto means you can pull a proper portrait frame without digitally destroying your footage. That matters for run-and-gun shooters, event videographers, and anyone who's watched a single-lens gimbal cam get caught flat on tight compositions. The D-Log2 upgrade is equally worth flagging: it's a genuine step up for post-production flexibility, not a spec-sheet checkbox. DJI is clearly swinging at Insta360's Luna Ultra before it ships, which means this thing is priced and positioned to compete hard. If compact cinematic video is part of your kit, this warrants a serious look.