GFX100S II at MotoGP: Medium Format Pushed to Its Limits

The real question here isn't 'can medium format shoot MotoGP' — it's whether the GFX100S II's AF and burst improvements are credible enough to justify using a 100MP system anywhere near fast-moving subjects. If it holds up at COTA, it changes the calculus for commercial photographers who want maximum file quality without swapping bodies when things get unpredictable.