The Woman Behind 'Migrant Mother' and Why She Resented It

auto_awesomePixelfetch Take
Florence Owens Thompson sat for Dorothea Lange for roughly ten minutes in a California pea field in 1936, never gave formal consent, and never earned a cent from the resulting image. For 47 years she resented it. Fstoppers runs the full story behind one of documentary photography's most reproduced and most ethically contested portraits.
Related
Photo Essays
Paolo Pellegrin and James Verini: Ukraine Through Magnum
Photo Essays
2026 World Cup Final: Best Images from Spain vs Argentina
Photo Essays
9/11: Stories from Magnum Photographers
Photo Essays
Katherine Hubbard's Five-Year Project Photographing Her Mother's Memory Loss
Photo Essays
Tom Jenkins' Best Shots from Wimbledon 2026
Photo Essays
Alessio Mamo on Photographing War's Youngest Survivors
More from Fstoppers
Stay ahead of the curve
Get the Pixelfetch digest delivered to your inbox every morning.